HOW TO TUNE 808 FL STUDIO 12 PROFESSIONAL

This is true more now than ever.ДЄlso, imo busyworkbeatz has great advice on how the industry maneuvers. However the 808 is most definitely a melody itself or a counter melody. I agree with soundporn regarding the sidechaining, kick selection and not overcomplicating the process. They give themselves away because of this no sober composer would would ever throw the most basic 808 on there unless they are doing some type of time challenge. This takes going through at least a few options which sometimes they donвЂ™t do (which is what I feel would expose this)вЂ¦ despite having go-to zays and spinz. Given the simplicity of this genre IвЂ™d imagine that if you don do this your end product may mismatch. Which you could already be doing with a kick. Current times demand that you pay attention to the mid-range - and the pre planning comes into play when you mix and match the feel/sound of the melody with the correct 808. Satai is absolutely correct regarding the pre planning and harmonic saturation. And no it's not better to make your own 808's if you're a producer instead of a sound designer, everybody can't be everything focus on what you're good at. After that throw a soft clipper on the 808 and kick and you should be done. You should just be putting the 808 on every measure the kick hits, then move the 808 only so it's in scale with the chord. Which brings me to my next point, you're probably doing to much with the 808 if you're playing it like a melody. The kick should be quick enough to just delay the time adjust delay the 808 a couple samples. Check out Industry Kits Perfect 808 and Kick drum kit, also if your making Trap you don't necessarily need to sidechain. And the problem sounds like it's probably the sidechaining and the kick you pick. The genre of music you make would be really helpful because if it's Trap just go watch a Busy Works Beats tutorial. And Goldbaby doesn't have anything close to best 808s, well not for trap music. Again, any advice or solutions would be appreciated!ДЇirst I must say the first response is horrible lol Producers can't cheat by pre picking an 808 like what? Most of them all use the same couple 808s anyway that are variations of a Spinz, Zay, or Plugg 808.

HOW TO TUNE 808 FL STUDIO 12 PROFESSIONAL

BUT, I've seen professional producers have sampled 808's, drag them into the channel rack and it immediately sounds perfect or the bass meshes so well with the track it's like a missing puzzle piece which slides in. Any advice would be fantastic, and if there's a way to do less work for the 808's? I know its better to design my own, and I have made my own in serum and other synths. I match the 808 with the root note of the melody and lower it an octave. Is it poor samples? Some are from soundpacks, others from high quality sound packs.

The other instruments aren't conflicting and the lowend has room for the 808. In my daw (FL 20) the 808 samples sound fantastic but after I turn loop points off, cut self, sidechain to the kick, and adjust the envelope, tune the root note, it sounds shitty. I know the essentials for 808's but it's always hit or miss. Been getting better at sound design, arranging tracks, relying less on presets or tweaking presets to fit my own style. So I've been producing for a few years now, recently got serious last summer.

How to tune 808 fl studio 12